The 2nd prelude, in C-Minor, is a dramatic, almost mechanical creation where The piece has tempo indications from Bach, a rarity, in that bar 28 is marked. An analysis of J.S Bach’s Prelude and Fugue No.2 in C minor, BWV , from the Well Tempered Clavier Book 1. A detailed guide that. 2 in C Minor, BWV Fugue by Glenn Gould on Amazon Music. the Album Glenn Gould plays Bach: The Well-Tempered Clavier Books I & II, BWV

Author: Gora Vudohn
Country: Japan
Language: English (Spanish)
Genre: Education
Published (Last): 28 October 2010
Pages: 420
PDF File Size: 8.58 Mb
ePub File Size: 12.21 Mb
ISBN: 431-6-96333-653-8
Downloads: 32746
Price: Free* [*Free Regsitration Required]
Uploader: Kikree

Unsourced material may be challenged and removed.

Prelude and Fugue in C minor, BWV 847

By using this site, you agree to the Terms of Use and Privacy Policy. Preludes ; Fugues ; For keyboard ; Scores featuring keyboard soloists ; For 1 player ; For clarinet, trombone, percussion, bass guitar, piano arr ; For 5 players ; Scores featuring the clarinet ; Scores featuring the trombone ; Scores featuring percussion soloists ; Scores featuring the bass guitar ; Scores featuring the piano ; For 2 recorders arr ; For 2 players ; Scores featuring the recorder ; For violin, piano arr ; Scores featuring the violin ; For 2 guitars arr ; Scores featuring the guitar ; For guitar arr ; For 2 trumpets, 2 trombones arr ; For 4 players ; Scores featuring the trumpet.

Jazz-like arrangement of Bach’s Praeludium II. Ogg Vorbis files can be found here. Contents 1 Analysis 1. This figure, which is persistent throughout the Prelude, till five bars from the end, takes its distinctive character from the Passing note, which almost always forms the third note in each group of four. The instrument has 2 manuals in the usual dispostion of 8x8x4. Tonic Chord May 5, This page was last edited on 5 Mayat Creative Commons Zero 1. Performer Pages Martha Goldstein harpsichord.


Built upon the Dominant and Tonic Pedals. From an album featuring a Flemish harpsichord on Pandora Records. Compositions for organkeyboard and lute by Johann Sebastian Bach. Prelude and Fugue No. Below is the two measure subject of the fugue, which starts in the middle voice:. Wikipedia article on Das wohltemperierte Klavier Bach Digital source list.

Retrieved from ” http: Please help improve this article by adding citations to reliable sources. These file s are part of the Mihor Icking Music Collection. April Learn how and when to remove this template message. The fugue is 31 bars long, and is written for 3 voices.

It modulates nwv G minor to C minor. Creative Commons Attribution-NonCommercial 4. Couter-subject absent, the inner parts being independent. Counter-subject in Bass [E flat Major].

Performer Pages Kimiko Ishizaka piano.

Staatsbibliothek zu Berlin D-B: Creative Commons Attribution 3. Ends on the Dominant. Naxos Javascript not enabled. This Prelude is constructed on chords of a simple nature, which underline the constant reiteration of the figure seen in the first two beats of Bar 1.

Das wohltemperierte Klavier I pp. The fugue then continues with a developmentand then another repetition of the subject in the home key.

Arranger Joseph Nicholas Fried. Below are the first four bars of the prelude:. It was restored by Frank Hubbard in Boston Work Title Prelude and Fugue No. Bach Twelve Little Preludes. This article needs additional citations for verification. Recorded September in St. Episode I, modulating from C minor to E flat Major.


The motif consists of running sixteenth notes in the form of broken chords in both hands. Ends in the Relative Major. The coda begins at the 34th bar, where a sudden change of texture and tempo occurs.

Prelude and Fugue in C minor, BWV – Wikipedia

Performer Pages Peter Bradley-Fulgoni piano. Contents 1 Performances 1. C minor, at Bar 4 it preluds by degrees away from the original key to its relative Major, E flat Major, by Bar In other projects Wikimedia Commons. In the first bar of the coda, an arpeggiated chord is followed by a rapid succession of thirty-second notes. Just like most fugues in the baroque period, the subject is then repeated in the top voice bacu the dominant key G minorand then repeated once more in the lowest voice, again in the home key.

Javascript is required for this feature. Master tracks available here.

Views Read Edit View history. Creative Commons Attribution 4.

Author: admin