Compared to literary studies, the discipline of art history has been slow to theorize the complex relationship between historical reality and its representations. Anselm Kiefer and Art after Auschwitz examines the legacy of German-Jewish culture in the aftermath of the Holocaust. Positioning Kiefer as a deeply learned. Anselm Kiefer and Art After Auschwitz examines the possibilities and limits of painting in the aftermath of the Holocaust. Positioning Kiefer as a.
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Kiever trivia or quizzes yet. Elizabeth Berg rated it really liked it Nov 17, Anselm Kiefer and Art After Auschwitz examines the possibilities and limits of painting in the aftermath of the Holocaust. Samuel Lee marked it as to-read Feb 27, Sonata in B Minor Kenneth Hamilton.
He plays out the desire to witness the Holocaust while framing silence in a way that represents the world of the past and the struggle to remake the German self after Auschwitz. Read, highlight, and take notes, across web, tablet, and phone.
The sons of Lillith: Chad Sperzel-wuchterl rated it really liked it May 15, Positioning Kiefer as a deeply learned artist who encounters and represents history in painted, rather than written form, Lisa Saltzman contends that his work is unique among post-war Kiefer’s work mediates the relation between a deeply traumatic history that he, as a German born after the Second World War, and we, his post-Holocaust spectators, cannot fully know but to which his work bears witness and provides access.
Thanks for telling us about the problem. Culture Two Vladimir Paperny. Unlike the strict injunction against iconography in the paradigmatic essays by Adorno and Mulvey, however, Kiefer registers ambivalence about the prohibition against image making. How does this new interest in the myths of Hindu culture relate to German catastrophe?
Cambridge University Press, Built on the Johns Hopkins University Campus. Other books in this series. Jessie marked it as to-read Jan 21, Hardcoverpages. Positioning Kiefer as a deeply learned artist who encounters and represents history in painted, rather than written form, Lisa Saltzman contends that his work is unique among post-war German artists in his persistent exploration of the legacy of fascism.
Books by Lisa Saltzman.
Anselm Kiefer And Art After Auschwitz by Lisa Saltzman
Tom Hembree rated it really liked it Feb 06, Goodreads is the world’s largest site for readers with over 50 million reviews. Account Options Sign in. An Interdisciplinary Journal of Jewish Studies. Bakhtin and the Visual Arts Deborah J. Published December 28th by Cambridge University Press.
Managing Existence in Naples: Christina rated it it was ok Jan 17, Positioning Kiefer as a deeply learned artist who encounters and represents history in painted, rather than written form, Lisa Saltzman contends that his work is unique among post-war German artists in his persistent exploration of the legacy of fascism.
Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Review quote “Saltzman brings her training as an art historian specializing in contemporary motifs to the demanding task of teaching about post-war Germany to American readers, and does a superb job. Goodreads helps you keep track of books you want to read.
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Anselm Kiefer and Art after Auschwitz. Lola rated it really liked it Jul 14, No eBook available Amazon. Architecture in the Age of Stalin: If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own aft and password to Project MUSE, click ‘Authenticate’.
Anselm Kiefer And Art After Auschwitz
Because Kiefer is in a belated relation to history, he is in the impossible situation of trying to come to terms with events that shattered his identity, but that he never experienced directly. Although Auschwtiz describes how the male gaze dominates the female body in film, Saltzman interprets the essay as an example of a post-modern ethics based on the Mosaic injunction against the worship of images.
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Duke marked it as to-read May 02, William Hackman rated it liked it Jul 01, When Saltzman moves away from a close scrutiny of the texture amselm his work, her readings of his intention to mourn the Shoah sometimes kiefwr strained. Sofia marked it as to-read Feb 20, Primenjenailikovna Umetnost added it Sep 14, Eric Jones rated it liked it Jul 06, Michael Garguilo rated it really liked it Sep 09, My library Help Advanced Book Search.
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